Marfa Film Festival 2009

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  • You have been away for more than an hour, so we have automatically logged you out. We know that's a bit of a pain, but we do it to protect your personal information. If you were logged in, please log in again, and we won't bother you again (that is, until the next time you idle for an hour).
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jamiegp

Baltimore, MD

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show details ratings and reviews
rating title date reviewed

Rated 4.0/5 Stars
0.0 | 2 rating

Synchronicity Series
Eileen Anastasia Reynolds | Experimental Shorts, TEXAS PREMIERE
5/5/2009

Rated 4.0/5 Stars
3.9 | 3 rating

Takoma Park
David Andalman | Shorts, TEXAS PREMIERE
5/5/2009

Rated 4.0/5 Stars
0.0 | 1 rating

Shorts 2
Shorts Programs
5/5/2009
entries read all from the blog
November 17
The pastry of my discontent sits in the fridge.Was Martin Smid a real math student?There's something that doesn't matter.Rumors of impending doom for the late night.I developed a taste for butternut, and I'm afraid the season's gonna pass me by.That reminds me: get the pumpkin thing at the Helmand – everybody says so.I'm going to just play louder and louder.My nose is going to bleed and I'm going
Things Done, Things to Do
You should go see A Serious Man, the new Coen Brothers film. I was up in the air and haven't-seen-her-in-forever Tina said it was good, so I skipped staring at goats and went to this -- conveniently right around the corner from my place. What a great follow up to No Country. Am I the only one who thinks that? Same feel, only in a midwestern suburbs and very Jewish way. I'm sure a lot of the
I Like Working with Good People Who Work with Good People
The Humane SocietyI spend my days at Threespot (more or less), and I'm going to take the rare moment to give big ups to my colleagues. Check out this super-small sampling of client launches in these past 12 months. For the record, we aren't as always-left as this little portfolio would imply. But they are all names I'm guessing you know.ACLUIf this makes you hungry, maybe you should come work
Photo: "Looking Toward Marfa," by Marty Carden
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